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Gérard Grisey (; ; June 17, 1946 – November 11, 1998) was a French composer of contemporary music. ==Biography== Gérard Grisey was born in Belfort, France on 17 June 1946. He studied at the Trossingen Conservatory in Germany from 1963 to 1965 before entering the Conservatoire de Paris, where he studied with Olivier Messiaen from 1965–67 and again from 1968–72, working with Henri Dutilleux at the Ecole Normale in 1968 . He won prizes for piano accompaniment, harmony, counterpoint, fugue, and composition at the Conservatoire. He also studied electroacoustics with Jean-Etienne Marie in 1969), composition with Iannis Xenakis and György Ligeti at the Darmstädter Ferienkurse in 1972, and acoustics with Emile Leipp at the Faculté des Sciences in 1974 (. Other studies were undertaken in the summer of 1969 at the Accademia Chigiana in Siena and in Darmstadt with Karlheinz Stockhausen. Grisey won the highly coveted Prix de Rome and stayed at the Villa Medici in Rome from 1972 to 1974, and in 1973 founded a group called ''L’itinéraire'' with Tristan Murail, Roger Tessier and Michael Levinas, later to be joined by Hugues Dufourt. ''Dérives'', ''Périodes'', and ''Partiels'' were among the first pieces of spectral music. In 1974-75, he studied acoustics with Emile Leipp at the Paris VI University, and in 1980 became a trainee at the IRCAM (Institut de Recherche et Coordination Acoustique/Musique). In the same year he went to Berlin as a guest of the D.A.A.D., and afterwards left for the University of California, Berkeley, where he was appointed professor of theory and composition (1982-1986). After returning to Europe, he taught composition at the Conservatoire de Paris, and held numerous composition seminars in France (Centre Acanthes, Lyon, Paris) and abroad (Darmstadt, Freiburg, Milan, Reggio Emilia, Oslo, Helsinki, Malmö, Göteborg, Los Angeles, Stanford, London, Moscow, Madrid, etc.) For notable pupils Gérard Grisey died at the age of 52 in Paris on 11 November 1998 due to a ruptured aneurysm. Among his works, most of which were commissioned by famous institutions and international instrumental groups, are ''Dérives'' 1974, ''Jour, contre-jour'' 1979, ''Tempus ex machina'' 1979, ''Les chants de l’amour'' 1984, ''Talea'' 1986, ''Le temps et l’écume'' 1989, ''Le noir de I’etoile'' 1990, ''L’icône paradoxale'' 1994, ''Les espaces acoustiques'' (a cycle consisting of six pieces), ''Vortex temporum'' 1995 and ''Quatre chants pour franchir le seuil'' 1998. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Gérard Grisey」の詳細全文を読む スポンサード リンク
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